AANGAN BY KHADIJA MASTOOR PDF

Aangan (Urdu: آنگن) is a famous social and political Urdu novel written by a famous Pakistani writer Khadija Mastoor. It was first published by. Documents Similar To Aangan by Khadija Mushaf By Nimra Ahmad. Uploaded by. Omer Arshad. Yeh Hansta Howa Mousam by Farhat Ishtiaq. Read Book Aangan ebooks 1 by Khadija Mastoor on Rekhta Urdu books library. Navigate to next page by clicking on the book or click the arrows for previous.

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Overall this is a masterpiece and I finished it in two days.

Khadija Mastoor – Wikipedia

The women of the household are engrossed in gossips and picking fights over events in the past. Which stories saw the the biggest audience in the last 12 months? Yet, with a wisdom that belies her years, she is filled with compassion, has a khadjja of good sense and never ceases to care for her tormented loved mastooor, choosing to learn from their mistakes while teaching herself to shield herself from the pain wrought by irredeemably bad judgement.

Aliya keeps herself busy in her books and studies and dreams of a free life one day and that forms the rest of the story.

Aangan / آنگن

aangqn I personally love a book that is critical of everything—nothing is objectively good or bad, and good and bad can be found in everything. Oct 09, Rizwan rated it really liked it Shelves: Technically, this space is not confined to women only — as conveyed by the title — but it contrasts with the more open and public spaces available to men.

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Archived from the original on 14 April Retrieved 8 December By using this site, you agree to the Terms of Use and Privacy Policy. Khadija Mastoor is an Urdu writer from Pakistan famous for her novel Aangan. I can see why.

She narrated an amusing story of how Mastoor completed the novel and went to deliver it to the publisher, but left behind the only copy in the tonga. They explore their romantic life before the partition. Interestingly enough in this cloistered space, reserved for women, men who are related by blood seem to have right of access and given a surprisingly free aangaj to romance, stalk, molest or manipulate their cousins.

Khadija Mastoor

BareillyBritish India. Sara Saif Shabana wrote: This book is around the struggle of independence, the political tussle within a household, poverty, love, heartbreak. Sep 07, Hazafa Asif rated it liked it. The protected environment she has grown up in proves insufficient to the task of shielding her from the trauma of losing her beloved elder sister Tehmina and dear friend, Kusum to suicide when they invest too heavily in the possibility of heady love and romance in the otherwise arid landscape of their lives only to be left utterly devastated.

What an incredible book. The book is radically ahead of its time in giving us a heroine who adamantly sticks to her guns when it comes to resisting patriarchy even when enforcers pressure her with the prospects of love and marriage, which Aliya realizes are both likely to entrap her more surely than the chains she has been struggling against all her life.

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In its own way, the aangan is not only the setting, but a perfect metaphor for the novel.

Aangan by Khadija Mastoor Urdu Novel PDF Download | Online Library

It is here that the central drama of the family plays out. I had read Aangan for the first time around three years ago and due to my weak memory had forgotten most of the story line, just remembering that the feeling was not very pleasant.

Rabia Shahzad rated it it was ok Nov 10, Rockwell is a far more careful and nuanced translator, hence superior. She is tired of the trifle squabbles that take place mastoir her home everyday.

Nobody is more tragic than Israr Mian, son of a low-caste mother but with the same father, who hovers outside the aangan and has to literally beg Kariman Bua, the family servant, if he can get some food once everybody else has finished eating.

Bangladesh’s Sheikh Hasina set for landslide win as opposition demands new vote. The central courtyard of a house would be the centre of the household.

View all 4 comments. Its not a story of just victims but of those they victimized. Critic and novelist Ahsan Farooqi wrote a detailed analysis of the story, finding much to praise in its form and structure, calling it the finest novel in the language. Archived from the original on 1 October