Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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Villa-Lobos: Complete Solo Guitar Works

About Our aim The team History. You need to see the whole picture here – after all, that is what Frederic Zigante is all about. False, the only thing about which people need to be educated is listening with curiosity: The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works fredric the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

What really makes the difference is the music that is written for it. There are still so many works to be discovered and recorded even for instruments like the guitar. How would you describe the relationship with your instrument? Interpretation is a task: I play both baroque and classic guitar and I consider them two different instruments. But his power can be negative and he can destroy music, modify it or misinterpret it. I am a little bit annoyed by crossovers but I do realize that it ferderic just llobos fashion that will pass without too many damages.


The hardest part about being a musician is to often be alone and the best is to get emotion during a performance.

15 Questions to Frederic Zigante | interviews Guitar Classical

The one that mediates between the written text and the auditors. Is there a crisis?

It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. What do you tell them? If yes, lboos good were you at it? I would probably be a medical doctor or a politician. You are given the position of artistic director of a concert hall.

15 Questions to Frederic Zigante

Complete editions are Frederic Zigante’s specialty: This is what some performers do sometimes, they even cut off some zigsnte of the works! This is the way to discover beauty in all music, not only classical.

Someone who takes care of other people’s problems. With a clear mind, he recognises current cross-over tendencies and volla genre-bending see his answers to our Festival-question! But I know that I shall certainly not: During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes.

Have you ever tried playing a different instrument? An interpreter has a great power in his hands because without him the work has no life and can’t be lobis. In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class. What or who was your biggest influence as an artist?

An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! What really matters is to transmit emotions and feeling. If a perfomer has nothing to say and simply plays the music, he should stay home. People need to be educated about classical music, before they can really appreciate it. I live between two beautiful Italian towns: Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.


Frédéric Zigante on Spotify

After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. A good live performance requires good technical standards and acceptable contents for the audience.

I haven’t noticed any crisis. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer?

Community Links Countries Recording Services. What would be on your program for this season? This is how an interpreter and a composer can cope to “travel” together without any conflict.

Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: What constitutes a good live performance in your opinion? And yet, he is by no means an anachronism.

First I need a contract then I shall begin thinking about it! My father and my brother Manuel.